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Category: nonfiction
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Sara Dailey #006: Character foils–another interesting contrast for your writing
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Character foils are two characters in the same situation who react differently. Picture two kids with an alcoholic parent. One grows up and never touches a drop of alcohol. The other becomes alcoholic. Those are foils, and they’re another way to show contrast, just like the rhetorical questions we explored yesterday. Let’s see…
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Sara Dailey #005: Rhetorical questions and contrast
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I know what you’re thinking…POWER PUNCH? For a rhetorical question? Are you kidding me? But rhetorical questions are powerful because they automatically imply a CONTRAST and contrast is what makes writing interesting. What I mean is that there are usually two opposite ways of answering a question, so conflict is naturally indicated this…
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Sara Dailey #004: Hard and soft similes
I was always taught that similes are gentler than metaphors. You know–use simile in a Valentine’s Day card to your girlfriend; use metaphor for your angstiest emo poetry. Clearly, Sara Dailey didn’t get that lesson. First, look at the hard-hitting simile she works into her story, “The Memory Train”: Like the soul, a migraine…
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Sara Dailey week #002: Character and pathos
In “The Memory Train,” Sara Dailey begins by describing a man, Phineas Gage, a railroad worker who survived after a large iron rod punctured his left frontal lobe. The bleached bone shows a jagged U above the empty hollow of the left eye’s socket, bone that never again seamlessly met other bone. It…
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Sara Dailey Week #001: Starter from a title
Welcome to Sara Dailey week! Over the next seven days, we’ll be learning technique and getting ideas from a single article of hers, “The Memory Train,” that was published in Creative Nonfiction magazine, the one edited by Lee Gutkind. First up is taking a look at that title: “The Memory Train.” Other people’s…
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Knockout Idea: Photo captions
Here’s a knockout idea I got while reading Ariel Levy’s story, “Living Room Leopards.” At the very beginning of the story, there was a photo of a cross-bred cat: a mix between a wildcat and a domestic cat. The caption read: Half-bred crossbreeds are in vogue but controversial, and illegal in some states. …
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Starter: A mystery with two solutions
Today we’ll begin with a paragraph starter–the opening to Rebecca Solnit’s nonfiction article, “The Separating Sickness.” First, read the excerpt: Eddie Bacon was a forklift operator at Trident Seafoods in Akutan, Alaska. In the summer of 1999, he developed mysterious rashes on his hands, arms, and legs. He visited a doctor, who gave him a…
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Knockout Idea: Taiye Selasi on the importance of photography to writing
Taiye Selasi, author of Ghana Must Go, says, “I spend a great deal of time documenting…I’m always taking pictures. Somehow, these little snapshots of the world inform my work…. An elderly couple walking, rain on windows, light on anything, anywhere–these quiet details of everyday life are the stuff of human experience.” Try this: …
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TC Boyle Week #7–Sanders and Boyle BEND the Rule of 3!
Touch gloves–Sanders meets Boyle today. Yesterday, we saw Rule of 3, a common technique employed by MANY writers, especially those who write in English. There’s something about the rhythms it creates that are pleasing to the ear. Today, we’re going to see how both Sanders and Boyle BEND that rule. First, I’ll show…
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TC Boyle Week # 6–Scott Russell Sanders stops by to teach RULE OF 3
In North America, in English, people love the sound of items in groups of three: Goldilocks and the 3 bears, 3 Little Pigs, 3 Billy Goats Gruff…but we even like the sound of simples lists of three. Many writers know this, and Scott Russell Sanders is one of them. Here are a few examples of…