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Tag: character
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Neil Gaiman #002: Use THE ECHO as a voice!
Let’s get right to it today and see an innovative way Neil Gaiman uses parentheses in The Ocean at the End of the Lane: I would talk to people whose existence I had forgotten years before and they would ask me about my marriage (failed a decade ago, a relationship that had slowly frayed…
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Neil Gaiman: the clothes make the man!
I’ve just read Neil Gaiman’s The Ocean at the End of the Lane, and I highly recommend it. This week, I’ll be examining five techniques he makes use of, and the first is one he uses at the beginning of the prologue: I wore a black suit and a white shirt, a black tie…
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Braunstein: Contrast and time shift
Check out a few interesting techniques that are being combined in Sarah Braunstein’s short story, “Marjorie Lemke.” The first is that it is like she’s holding a conversation…with herself. The second is a time shift: the “selves” who are talking with each other are the person she used to be and the person she…
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Think YOU had a bad teacher?
I remember some horrible instructors I’ve learned from in the past, but only the writing prof I took a class from at the University of Saskatchewan even approaches this one’s behaviour: From “The Master,” by Marc Fisher: Assigned to [Robert] Berman for tenth-grade English, I took a seat one September morning alongside sixteen or seventeen other…
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Sara Dailey #006: Character foils–another interesting contrast for your writing
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Character foils are two characters in the same situation who react differently. Picture two kids with an alcoholic parent. One grows up and never touches a drop of alcohol. The other becomes alcoholic. Those are foils, and they’re another way to show contrast, just like the rhetorical questions we explored yesterday. Let’s see…
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Sara Dailey week #003: Knockout idea–Use a theme!
What has been will be again, what has been done will be done again; there is nothing new under the sun. Ecclesiastes 1:9 Now you know that if this idea is stated in the Bible, a book that’s a few thousand years old, then it’s not exactly a new idea that writers struggle…
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Sara Dailey week #002: Character and pathos
In “The Memory Train,” Sara Dailey begins by describing a man, Phineas Gage, a railroad worker who survived after a large iron rod punctured his left frontal lobe. The bleached bone shows a jagged U above the empty hollow of the left eye’s socket, bone that never again seamlessly met other bone. It…