Tag: voice

Cody Klippenstein #004: Long sentences for description…

Jul 22, 2013

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by

Ace Baker

in fancy footwork, fiction, novels, short stories, Uncategorized, writing technique

In the past three days, we’ve seen pathos, simplicity, soft sounds, euphony, hard sounds, cacophony, and connotation in Cody Klippenstein’s award-winning story, “Case Studies in Ascension.” Today, we’ll see another technique she makes use of that puts the reader THERE in the moment, visualizing what’s happening in the story. Here’s the example, first: I…
Cody Klippenstein #003: Connotation and cacophony!

Jul 21, 2013

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by

Ace Baker

in fancy footwork, fiction, novels, power punch, writing technique

Yesterday, we saw simplicity, softness, and single-syllable words in a romantic passage in Klippenstein’s “Case Studies in Ascension.” Today, we’re going to see the tougher side of this young, talented writer. While she may have used short, soft words to describe a loving moment, look what she does as we near the END…
Cody Klippenstein #001 VOICE through pathos!

Jul 19, 2013

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by

Ace Baker

in fancy footwork, fiction, knockout idea, novels, power punch, short stories, writing technique

If you want to add VOICE to your writing, Cody Klippenstein is the one to turn to. She has won many major writing awards for her short fiction, including “Case Studies for Ascension,” which won the Zoetrope All-Story Short Fiction Contest. It’ll be our study text for this week and it’s up on…
Neil Gaiman #002: Use THE ECHO as a voice!

Jul 10, 2013

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by

Ace Baker

in fiction, knockout idea, nonfiction, novels, short stories, writing technique

Let’s get right to it today and see an innovative way Neil Gaiman uses parentheses in The Ocean at the End of the Lane: I would talk to people whose existence I had forgotten years before and they would ask me about my marriage (failed a decade ago, a relationship that had slowly frayed…
Braunstein: Contrast and time shift

Jul 8, 2013

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by

Ace Baker

in fancy footwork, fiction, novels, poetry, short stories, Uncategorized, writing technique

Check out a few interesting techniques that are being combined in Sarah Braunstein’s short story, “Marjorie Lemke.” The first is that it is like she’s holding a conversation…with herself. The second is a time shift: the “selves” who are talking with each other are the person she used to be and the person she…

Tag: voice

Cody Klippenstein #004: Long sentences for description…

Cody Klippenstein #003: Connotation and cacophony!

Cody Klippenstein #001 VOICE through pathos!

Neil Gaiman #002: Use THE ECHO as a voice!

Braunstein: Contrast and time shift